hes re licked soul of man, re mixed queen and re touched prince to name but a few, so what could the boy wonder a.skillz possibly put his hand to next i hear you ask? yes you guessed it, its none other than the original kings of pop the beatles!! strawberry jam forever is a catchy party starter like no other and has gained plays from pete tong, annie mac and sir krafty of kuts for that very reason. and if the kings werent enough hes only gone and remixed a reverend as well. soul legend al green gets the once over on with you, whilst collapsed lung booty eat my shorts completes a rather formidable package!

ex duoteque mitglied dusty kid kommt kurz vor 2008 mit verstärkung um die ecke um es uns zum jahreswechsel nochmal so richtig zu besorgen. glaubt man dem feedback haben wir den nächsten dicken hit aus seiner & marascia s feder in unserer hand.

split ep by kompact producer + chicago techno-babe blends berings emotive style with simkos midwest roots & latin-influenced percussion. b-side f/each producer remixing the others track. soulful & groovy stuff as these artists & label elevate their game.

unschuldig & frei von den üblichen minimal-erwartungsmustern gibts hier eine frische packung minimal. da wurde das techno zimmer mal ordentlich durchgelüftet

während sich auf der a-seite rhodes flächen und percussions die hand zum luftigen & flotten house jam geben, macht man auf der flipside alles für die verkiffte & rauchgeschwängerte dub party klar. das nennt man strategy

>chariots<, the simple debut of james priestley and dan berkson, is a luscious house treat. driving percussion and throbbing keys move towards a crescendo through airy synths while the classic piano melody comes in to send the dancefloor to a blissful climax. soul and melody with a tight little groove, everything we at simple love! acclaimed frankfurt duo motorcitysoul, who made their aus debut earlier this summer, turn their hand to the remix. rotating clicks and punches move towards an ever intensifying push, while melodic whispers gather around the central chord progression, combining to create a deep and dreamy finale.

again an unusual step from the craziest average joe we know.. this time tim turns his designer label into a non-design format by releasing a hand stamped whitelabel with 4 nameless and serious, straight to the point tracks. acid is where its at. gotta love it

introduced by james holden, lucy (curle rec) is a new italian talent based in paris. and he comes up here with a very strong release! on the a side, the amazing glass computer (co-prooduced with friends) is an odyssey into electronic music and catchy beat. 7 minutes of happiness and emotion for the crowd. after his wonderful last release on our label, masaya (perspectiv / num rec) makes the dub and he looks like a trip into a deep forest with his minimal tribal bassline, trought the tree at the night. simply wonderful. on the flip side the amsterdam based mark august (poker flat, connaisseur, curle, mezzotinto), is making one of the best remix for ages. with his unique touch mark takes us by the hand into his very personal universe…

luke viberts second album on planet mu brings together many strands of his work, drum and bass, trip-hop, breaks and acid. the album hangs together with the strands of acid, breakbeats, techno and disco at its heart, the reassuring hand of an old master triumphs again

another dynamic instalment from the nagano kitchen duo (jerome sydenham & hideo kobayashi). these tracks continue the ibadan legacy of pushing the boundaries. >destination nagano< is a rhythmic tech house journey with classic chicago and detroit overtones in true ibadan style. >head<, on the other hand, is a stripped down beefy club track with a big techno beat and classic chicago chords. destined for term use.

the long awaited new unit 4 release (on a highly limited amontillado pressing of 300 copies with hand printed sleeves). deep dark powerfull track with a unusual combination of a dusseldorfer (kraftwerk-ian) electronica loop and a massive techno-ish bassline and funny enough without any hi-hats which gives the track a strange tension. b-side is a stripped down version with a long intro and outro. the very power full bass and a catchy hook line (reminiscent of their body dub) makes this a monster track... check!

solo project from future force member tj gorton. catchy,infectious,electro disco flavored synth dance, pulsating bass , hand claps and a whirling build of climaxing synths to finish. b-side sports even more of a retro disco flavor

great debut by newcommer active sense aka valencia based raul remujo. incl remixes by jamie jones, hand on throat and casey hogan. supported by luciano, loco dice, alex smoke, steve lawler and laurent garnier

been impressed by his remix on wall of sound... i loved it. i also heard he won some remix competition. like a grammy, only not a grammy. the tracks he sent were amazing... but his hair, while being orange (no bonus) was not corn-rowed. while i argued vigorously that i had worked too long and hard building up turbo to see it go all >ginger<... von party defended the duke, saying it might show how open-minded we are. when i re-listened to the tracks i decided that it was well worth the risk. so.... what you now hold in your hand is the debut on turbo of duke dumont: the mysterious bad ass from the wrong-side of the tube, the hardboiled london underground pioneer who once had to eat a sampler to survive, the future of dance music, and the past of the future of dance music

der 2000 and one remix reduziert das original auf das wesentliche und lässt sich dabei zeit, weiß er doch, dass das was kommt eine kraft hat die den floor rockt. superflu haben unglaublich viele unterschiedliche dynamiken in den remix gepackt die alle hand in hand gehen. das arrangement ist weltklasse und trotz hohem abstraktheitsgrad rockt der track unglaublich, auf allen ebenen

professional user: miss kittin (udg bags work for me as hand-luggage. it resolves the problem of stolenrecord cases and missed connection flights stress when i used to check themin. of course it s heavier than allowed on board, so i declare my records as --music instruments--, like any other orchestra musician, and it s perfect.)great records trolley deluxe set spezial color edition ... uotside in black indie in cool orange ... looks great fits for 60x 12 inch vinys (trolley) and 40x 12inch vinyl slingbag

another smooth release by amplified orchestra which goes way beyond the hip disco edits we hear all the time. on this obscure chicago label (hand stamped and no further artist info) we get 3 tracks with the sublime moon voyage (based on an old cosmic disco-funk track, but completly rebuild), the incredible asteriod (reminiscent to early moodyman and rick wade. very good detroit house) and the disco-funk-soul stepper lets have a ball. nice one

the vibrant offshoot of davide squillaces skecth music architecture steps up onto the plate for a home run battering! the new cut comes with none other than paul ritch. he stepped into the limelight with a series of superb and very impressive releases on resopal and paradigma. in pursuit of labelboss squillace and the previous gem from the hand of marco shuttle - minisketch lifts spirits once again with some hi-tech futuristic grooves

in bester foundsound manier schnitzelt der norditaliener mit ruhiger hand soundfetzen aus der soundkarte um sie reichlich dekoriert wieder einzusetzen

built for a dj lifetime. hi quality leather bag sewed together with industrial strength nylon thread guarantees this bag for a long time. it holds up to 70 records or less if you also want to carry other stuff such as a laptop and/or clothes for a heavy dj or holiday weekend. specially hand manufactured in the netherlands by roy fritz leatherworks. available with or without white viewlexx logo on front.

dont worry, christophe dalla-ca aka kiko is not interested in a seventies disco revival, even if the tongue in cheek reference to john travolta in the title track of this ep might imply that. on the other hand, the work released by the man from grenoble for such renowned labels as ozone, hot banana, goodlife and turbo has consistently shown that kikos interpretation of techno from the 2000s also includes a conscious reworking of past dance floor orientated electronic music. in this sense, kiko has succeeded in making three stand alone, coherent interpretations of a mutual meltdown of new wave, disco and elektro, with the tracks on the >tragolta ep<. whether he is impressing with the best possible mix of ebm and dave clarkes red series (30.1) or enchanting us with the continuously jewel like, dazzling melancholic melodies of >electric burst< or >tragolta<– the fact remains true that he perfectly supplements this approach to the sound cosmos of datapunk

special limited edition 10 inch record from label heads the sound republic, on an ultra high quality pressing with full jackets and 2 super hot joints, making this a record for the collectors as well as the disc jockeys who have come to rely on tsr for slammin dancefloor material. a return to their roots in funk and jazz, the a side get loose (take a breath) hits with absolutely crushing beats, a running bassline, and a sax bit that has every partygoer running to the dj booth whenever the track gets played asking what in the good god they are hearing! flip the cute little guy over for funkyard junk, a tune that starts with a garbage can percussion jam that eventually works up in to some good old down home southern funk, complete with hand clappin, foot stompin hoots and hollers and yet another infectious guitar hook that can only be described as good times house music. these two funky cuts still have a fresh and modern sound while maintaining that good ole chicago vibe that sends the dancefloors in to a tizzy. receiving massive support from the heavy hitters of the underground, raoul belmans, dj mes, diz, justin long, dj heather, and bryan jones amongst others were caning the hell out of this at this years wmc. dont sleep on this extremely special limited edition pressing of the fifth spatulacity record, yet another quality minded release from some one of the most consistent names in house musics new school

the new half cousin single big chief comes with an exclusive remix by the earlies. this is the lead single form the album and sums up in four minutes what the band is all about. the single also comes with the first ever remix the earlies have put their official name to, and a electronic upbeat offering from the fantastic dextro. half cousin also deliver these songs to captivating effect live with acclaimed artists martin slattery and anthony genn (the hours), jamie morrison (the noisettes), jimmy hogarth, the earlies and fellow scot kt tunstall all lending a hand on stage in developing this fierce reputation

brand new - second on surprise - twelver from this international deejay / electrotech producer under his onderklank guise. the title track has the spirit of carl craig and motor city detroit written all over it. the first track on the flip reminds us of tracks by thomas schumacher mingled with old school flavours of newbeat and early trance. the twelve inch closes with a spicy dancefloor cut (the other tracks are also for that clubfloor as a matter of course) with a melody that could be produced by gregor tresher while on the other hand, the beats have a bit of radio slave ingredients.

model 500 and drexcia inspired electro

joakim is back.this time tough, he surprises us with a small pop jewel! but lonely hearts is not a classic pop song, it is much more joakims interpretation of one. a catchy tune, which does not want to be one. an exciting contrast between catchiness and a bleeping onslaught.on lonely hearts, cheesy sounding strings really stand out over a stoic stomping drum beat, dark singing grates against beeping keyboard playing, in the chorus a wonderful melody has a comforting effect over the very sad lyrics.in addition to the album version and the radio edit, the lonely hearts maxi also features the loving hand remix by tim goldsworthy. the musician (lcd soundsystem) and label owner (dfa records) skillfully pulls lonely hearts to the left, brushing it into a dark club track. with the distorted slow motion vocals, the funky bass run and the demanding beats, it is suddenly very close to the sound that already characterized joakims club hits are you vegetarian and come into my kitchen. and you ll also fin a joakim dub of the track. this dub keep the pop side of the song with a more catchy approach for a more dancefloor version of the original and with always the weirdness you use to find now in the joakim production !supported by tim sweeney, prins thomas

brill melodic techhouse infected electro !!

more cloak and dagger cuts from the new school s favorite mystery label. all four cuts on this winter sampler freak and funk their way through firmly body-jacking beats, jazzy samples and stabs to get the heads noddin and booties shakin and of course that signature guess who? sound of instantly recognizable funkiness

inc. rmx by koletzki & meindl, another big name in 2006 sweden techno land definitely is Özgür can. complex rhythms with spheric overtones is what his definition of techno is all about.. pure club pleasure guaranteed! 84 shots works with a groovy percussion lick and epic bassline atmo – djs should hand out helmets when they put this on! on the flip the new german techno version of bud spencer & terrence hill: oliver koletzki & florian meindl known from releases on cocoon, balkon, stil vor talent or flash turn everything into their trademark sound! fascinating..

tim goldsworthy from dfa works the original melancholic track into an 11 minutes long loving hand remix

freska already released his first ep on oliver koletzki s fabulous label >stil vor talent<. his sound goes deep under your skin and draws perfect pictures in your mind. take a deep breath, it will surround you intimately. the remixes are picture perfect too. freska is one of the newest artist’s on karateklub, but there s another. before he will appear with his on ep here, he just remixed >reflections< and showed his magnificent way of interpreting electronic music. on the other hand, we have our rising homeacts - super flu, with a just as excellently remix. elicious!

label boss parr grinvik present a brand-new talent with the 6th release on the respected stockholm limited label. with the last production which came from his very own hand the label is once again put back on the global map and the buzz around these swedish minimal grooves is stronger than ever. s. linzatti is one of those promising talents and starts off with a superb piece of craftsmanship. his amazing moving grooves are remixed by the dynamic duo from the states, tim xavier and tony rohr aka the afternoon coffee boys.

welcome back to the first thomas fehlmann solo record after the atomic the orb full length. fehlmann strikes dancers hearts with his laser and scalpel in hand. >the road< is a rocking shuffeld trip over the route 66 of techno !! >powdered< comes in the signature fehlmann style, the bside sets off with the dubby influenced >dusted< and the final track >pristine< goes totally off, directed right to your dancefloor overdrive..

les bandits du temps who consists of underground solution first capo ollie grabowski and switzerland senior house don mirco esposito throw some weight around and hand out a righteous disco funk beating with some lovin dropping a beat heavier like an anvil, slightly smoothered with some love sounds is only a short foreplay before a hard slapping bassline, wild sweeping disco strings and piercing horn choruses chase you through a enduring pleasure session with numerous ups and downs testing your stamina to the max. if still got power reserves in your loins to go another round flip over for a deeper dub, stripped down and centered around the pounding bassline with more filtered strings in the background. studio 45 pick up the pace and intensity again to send you back to sweaty peaktime frenzy

one of the biggest house tracks over the summer in the remix edition, stonebridge and noir take the honours! mr. stoneyboy remixed the tune into a more dj friendly track with a lovely breakdown, hand in the air for sure!the noir remix is on the tougher edge with more electro influences

>für den garten< is perfect for the peaktime on minimal dancefloors. its huge, jittery riff in addition to cleverly crafted beats and well arranged drops definitely deliver every time. >(nichts) für den garten<, on the other hand, shows the duo from a more comtemplative, spaced out side. this track is the perfect soundtrack for gliding into blissed out mornings. we are chuffed to work with this very talented outfit and are already looking forward to releasing more of their lovely tunes. played by karotte

another dynamite release from tim xavier and his ltd400 imprint. this pressing will featured every copy being hand painted! the a-side is the long player. dark cerebrealgrooves with analog stabs and a continuing pulsation that grows upwards. curves ahead on this one. flip it for the b1 which is the monster under the bed. groovey bassline and house type rhythms unfold the effects..

here is the new shirt from agoria, with hand draw style cool

here is the new shirt from agoria, with hand draw style cool

brilliant 2 track ep from straight minimal kickin techno (point final) to dubby deep tech (hand in hand)

mobilee is on >back to back< mission and presents the first release of a four-piece vinyl remix series including eight exclusive in-house remixes. a - sebo k reworks gummihz s >isolate<. he just took the essential >rave signal<, modified the groove and added some spezial effects. the most reduced sebo k production so far. aa - prosumer gets the upper hand on sebo k, recreating the latter s >moved (featuring prosumer)< in prosumer s own image. and you thought dude was just a singer - think again. >think again< might as well be mobilee s motto, for the way the label lays bare the skeleton of rave music—and the way it amplifies berlin minimal into something throbbing, overwhelming, all-consuming. watch your back: mobilee is coming up from behind, and back to back is the rearview image of the shape of rave to come

heavily supported by m.an.d.y., dj t, david duriez, konrad black, tom clark, sasse!! update 2.0 of woodys already successfull >whatever< series. minimal not minimal is the name of the game here! open produced and very fresh and full sounding the two to long and intensely reduced tracks are immediately touching, thrilling and are much thicker cut than your ordinary berlin click track. you could almost call it >maximal< , hehe .again side a is a kicking stylish electronic build up theme – reduction with just the right punch(the one that is missing so often these days,hehe)and great compressed bliss that simply rocks unstoppable once you get hooked into this unique below the line killer groove. 8 minutes that just fly by like a >hot rod< and youre immediately tempted to stay >tuned< , hand the keys over to wood and let him do the driving for the next 10 hours or so! >dakini< is more dark and mystical in appeal with a sturdy bassline and wicked nervous infrastructure making the whole gem as another two double a side 12inch. next stop woody

anders trentemøller, the shooting star of 2005, needs no further introduction. he has been stringing together hit after hit, most recently the -nam nam ep- on poker flat which offered an initial insight into his upcoming album -the last resort-. now the new 12- brings the first full-blown single outtake. the featured album track is -always something better – a vocal version featuring richard davis - and has a calmer, almost dreamy mood compared to the club tracks he s released. an easy-going groove, some wonderful celesta chords (hand-played by anders) and the typical trentemøller sound melt with the outstanding vocals by richard davis, who already graced swayzak s -speak easy- on k7. furthermore, davis is known for his longplayers on punkt musik and kitty-yo as well as an array of singles and remixes.a brilliant track with a beautiful atmosphere.of course the a1 slot is reserved for the -trentemøller remix-, a true dancefloor anthem. a kicking bass drum, quirky sounds and the -trentemøller twist- make this a real summer hit. while the a1 mix is a reduced vocal version, you ll find the -dub mix- on b1. to top things off, the one and only matthew herbert contributes his very own interpretation on the -bubble mix-. he disrupts and rearranges the original sounds and song structures to create a new unsettled, but fascinating soundscape

nice progressive 4 tracker on double vinyl on londons junior imprint a must have

let me out is the dirty, gritty offspring of guildford based producers born tricky (jeremy duffy) and mr frisk (ryan stanford). having set up their studio only a year ago these boys have proven themselves as some of the most versatile producers in the business, having turned their hand to drum and bass, house, breakbeat and even live bands in their short production careers. they have engineered for a number of local acts too, enhancing them with their superb production skil

caipi aus der hand, hoch aus dem liegestuhl und ab ins wasser !! ob zum baden, tanzen oder auf der luftmatratze treiben lassen, mit diesen deepen techhouse album ist es auf alle faelle schöne sommerparty..

deepe strahlen treffen auf miskroskopische feuerwerke. peter f. spiess lässt die suppe brodeln bis der bodensatz verbrennt und fügt sich damit ganz famos bei adjunct ein

another super production from the hand of mischa daniels !!! supported by judge jules mischa daniels stonebridge

another shiny disc from mr like a tim. limited as always and even cooler then that! like a tim is doing his acid thing which he does as nobody else. 6 rolling acid tracks which are funky as fuck. comes with hand printed/stamped like a tim artwork on silver colored vinyl